Process-Southport Stage #2

I did decide after to change up the sky and the total feel of this piece and I am glad to have done so. I want to play around and away from what I am used to doing. Stretch my creative arm so to speak. This is still acrylic and really just the underpainting.



Process-Southport Stage

I am laying down the layers for my next piece. This is from a photo I took while visiting my friend in Southport Newfoundland. So far I am thinking of a dramatic sky like the last one I painted. This could change as I work along.


Process #1, Yes done at last

I thought I was done with this piece. Still the background was bothering me. Too vivid and bright. I didn’t feel the mood I like to portray in my work. I spoke to an artist friend and asked his¬†opinion.

Darken the back, like you do with the others. I had considered this all too briefly a few days before. I took his advice and as soon as I started to work on it I knew it was right and my piece would tie up for me.

So. This is it and it’s at the gallery. Thanks Victoria for my title, “Carcass”

process #1 update

Often after spending hours on an area¬†of a painting I will become dismayed. It just doesn’t work. Out with the turps and cloth and off with the work. Sometimes in doing so I am left with ghost images that speak to me. As in abstract painting. The rocks in this piece are being stubborn. I want to give them life but not so much as to take away from the boat. My work is known for it’s deep surreal shadows and highlights. I need the rocks to have the same sense of mystery as the boat does but not compete with the light. At this stage they are too dark for my liking. Some highlights are necessary. So…On with the background baroque or easy listening and out with the brushes.